The establishing shot at start of the clip shows a few characters entering a building with
guns and other weapons, this tells the audience from the start that these
characters and dangerous and looking for trouble. The shot does not change and
continues to run an over the shoulder shot whist the characters force their way
into the house and threaten the people inside the building with violence. The
main character then is followed by the camera around the house whilst he checks
for any other people, when he finds a child in a bedroom he tells him to hide
in the bathroom, an indication that this character may not be as bad as the
others breaking into the house. The camera then follows him back to the centre
of the house where the rest of the gang are holding the members of the people
in the home hostage. The camera is angled at an over the shoulder position in
able to give a hands on perspective to the viewer, this is supposed to make
them feel involved and intimidated by the chaotic scenes. When a member of the
intruders fires his gun and kills an innocent member of the group originally
inside the house, the character that has been the centre of the cameras
attention appears to change his motive and punches a member of what the
audience thought was his gang, he then forcefully escapes and makes the man he
punched escape with him whilst grabbing on to his shirt. After exiting the
house the main character is attacked by what appears to be a random man. The
camera zooms out to a long shot that allows the viewers to fully watch the
action as the main character fights of two attackers with baseball bats and
catches up with his fleeing victim. Throughout the 6 minute running single
track shot there are many different camera techniques, angles and shots,
however not all are clear as the running, nonstop and non-edited film creates a
feeling of chaos that merges all these techniques into one. A running camera
with majority of it being mid shot, makes the audience involved, you feel as
you are running with the character and feel the need to escape the chaos as the
character does in this very scene.
This is a good effort Michael; unfortunately it doesn't quite hit the mark as you've not analysed the clip in view of one of the seven areas of representation.
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